071: Bilko's Merry Widow
The nearby Women's Club is offering $500 for the first producer to bring a professional theatre company to Roseville - part of their "fight to bring culture" to the town.
Meanwhile, Bilko has blown the platoon welfare fund on the horses again. But he notices the advert for the $500 in the local paper, so he decides to put on The Merry Widow.
It's another vehicle for Phil Silvers to impersonate an eccentric foreigner; in this case a theatre producer. Where all the elaborate costumes for these initiatives come from is never explained.
I must say Bilko goes to a lot of trouble to get hold of the $500, but I suppose it was worth a lot more back then. While I can appreciate the talent that goes into the theatrical scenes, it's all a bit too far removed from the basic Bilko idea for me.
Interestingly the audio quality in this one is a bit different; a bit distant. The audience laughter is a bit more uproarious, as well. I think this must be the point at which they stopped filming in front of live audiences.
The nearby Women's Club is offering $500 for the first producer to bring a professional theatre company to Roseville - part of their "fight to bring culture" to the town.
Meanwhile, Bilko has blown the platoon welfare fund on the horses again. But he notices the advert for the $500 in the local paper, so he decides to put on The Merry Widow.
It's another vehicle for Phil Silvers to impersonate an eccentric foreigner; in this case a theatre producer. Where all the elaborate costumes for these initiatives come from is never explained.
I must say Bilko goes to a lot of trouble to get hold of the $500, but I suppose it was worth a lot more back then. While I can appreciate the talent that goes into the theatrical scenes, it's all a bit too far removed from the basic Bilko idea for me.
Interestingly the audio quality in this one is a bit different; a bit distant. The audience laughter is a bit more uproarious, as well. I think this must be the point at which they stopped filming in front of live audiences.